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philadelphia是哪个国家

370SEO2年前 (2024-01-14)238

philadelphia是哪个国家

Philadelphia

英[ˌfɪlə'delfjə]美[ˌfɪlə'delfjə]n.费城(美国宾西法尼亚州);

philadelphia是哪个州?

Philadelphia是宾夕法尼亚州的一个城市,位于美国东北部地区。宾夕法尼亚州成立于1787年,是美国最早的13个州之一,是美国最富历史和文化底蕴的州之一。宾夕法尼亚州是美国的一个中西部州,西北部和东北部与纽约州接壤,东部与新泽西州相邻,南部与特拉华州、马里兰州接壤,西部和俄亥俄州、西弗吉尼亚州相邻。宾夕法尼亚州有着丰富的资源和多样化的经济结构,尤其是在制造业、农业、矿业和旅游业方面具有很强的优势。

下面分享相关内容的知识扩展:

佐拉·尼尔·赫斯顿的介绍,以及Slavery Gave Nothing TO lost 更详细的讲解

我们要做一个关于新视野第四册unit8A篇Slavery Gave Nothing TO lost 的课件,但是看过这篇文章之后觉得不好把握这个作者的思想,而且找相关的文化背景的时候也不好把握,有关奴隶制度和黑人的都是一个沉重的话题,但是这篇却比较积极,为什么这篇表现的不是奴隶制度的沉重,反而是一种反传统的积极、乐观的情绪。如果有热心的朋友能帮我解惑,实在是感激不尽。
  佐拉·尼尔·赫斯顿(Zora Neale Hurston),1891-1960,是20世纪美国文学的重要人物之一。她是小说家、黑人民间传说收集研究家、人类学家。她也生在美国南方,是哈莱姆文艺复兴时期的活跃分子。她毕生为保持黑人文化传统而奋斗,收集出版了黑人民间故事集《骡与人》及《告诉我的马》。赫斯顿还写了四部小说:《他们眼望上苍》《约拿的葫芦藤》《摩西,山之人》《苏旺尼的六翼天使》。这是黑人文学中之一部充分展示黑人女子内心女性意识觉醒的作品,在黑人女性形象的创造上具有里程碑式的意义,被公认是黑人文学的经典作品之一。

  BIRTHDATE: Jan. 7, 1891?

  EDUCATION: Graduated from Morgan Academy (high school division of Morgan College (now Morgan State University) in 1918. Attended Howard University and received her B.A. in anthropology from Barnard College, Columbia University in 1928.

  FAMI *** BACKGROUND: Her father was a Baptist preacher, tenant farmer, and carpenter. At age three her family moved to Eatonville, Fla., the first incorporated black community in America, of which her father would become mayor. In her writings she would glorify Eatonville as a utopia where black Americans could live independent of the prejudices of white society.

  DESCRIPTION OF ACCOMPLISHMENTS: A novelist, folklorist, and anthropologist, Zora Neale Hurston was the prototypical authority on black culture from the Harlem Renaissance. In this artistic movement of the 1920s black artists moved from traditional dialectical works and imitation of white writers to explore their own culture and affirm pride in their race. Zora Neale Hurston pursued this objective by combining literature with anthropology. She first gained attention with her short stories such as "John Redding Goes to Sea" and "Spunk" which appeared in black literary magazines. After several years of anthropological research financed through grants and fellowships, Zora Neale Hurston's first novel Jonah's Gourd Vine was published in 1934 to critical success. In 1935, her book Mules and Men, which investigated voodoo practices in black communities in Florida and New Orleans, also brought her kudos.

  The year 1937 saw the publication of what is considered Hurston's greatest novel Their Eyes Watching God. And the following year her travelogue and study of Caribbean voodoo Tell My Horse was published. It received mixed reviews, as did her 1939 novel Moses, Man of the Mountain. Her autobiography Dust Tracks on a Road was a commercial success in 1942, despite its overall absurdness, and her final novel Seraph on the Suwanee, published in 1948, was a critical failure.

  Zora Neale Hurston was a utopian, who held that black Americans could attain sovereignty from white American society and all its bigotry, as proven by her hometown of Eatonville. Never in her works did she address the issue of raci *** of whites toward blacks, and as this became a nascent theme among black writers in the post World War II ear of civil rights, Hurston's literary influence faded. She further scathed her own reputation by railing the civil rights movement and supporting ultraconservative politicians. She died in poverty and obscurity.

  DATE OF DEATH: Jan. 28, 1960.

  PLACE OF DEATH: Fort Pierce, Fla.

  Primary Works

  Jonah's Gourd Wine (novel), 1934; Mules and Men (folklore), 1935; Their Eyes Were Watching God (novel), 1937; Tell My Horse (Caribbean travel book), 1938; Moses: Man of the Mountain (novel), 1939; Dust Tracks on a Road (autobiography), 1942; Seraph on the Swanee, 1948; I Love Myself When I am Laughing ... & Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader (ed. Alice Walker), 1979; The Sanctified Church (ed. Toni Cade Bambara), 1981; Spunk: The Selected Short Stories of ZNH, 1985.
  Drama: Color Struck:A Play in Four Scenes. Fire!! 1(November 1926): 7-14; "Great Day," 1927; Mule Bone: A Comedy of Negro Life in Three Acts, 1931, Drama Critique (Spring 1964): 1-3-107.

  Fiction:
  Jonah's Gourd Vine. Introduction by Fannie Hurston. Philadelphia: J.B. Lippincott; London: Duckworth Press, 1934; Moses, Man of the Mountain. Philadelphia: J.B. Lippincott, 1939. London: J.M. Dent & Sons, 1941; Seraph on the Sewanee. New York: Charles Scribner's Sons, 1948; Spunk, the Short Stories of Zora Neale Hurston. Berkeley, Calif.: Turtle Island Foundation, 1984; Their Eyes Were Watching God. Philadelphia: J.B. Lippincott, 1937.

  Short Stories (not in Spunk):
  "Drenched in Light." Opportunity (December 1924): 371-74; "John Redding Goes to Sea." Opportunity (January 1926): 16-21.

  Nonfiction:
  Dust Tracks on a Road. Philadelphia: J.B. Lippincott, 1942; I Love Myself When I Am Laughing anf Then Again when I Am Looking Mean And Impressive. Edited by Alice Walker. Introduction by Mary Helen Washington. Old Westbury, N.Y.: Feminist Press, 1979; Mules and Men. Philadelphia: J.B. Lippincott, 1935; The Sanctified Church. Foreward by Toni Cade Bambara. Berkeley, Calif.: Turtle Island Foundation, 1981; Tell My Horse. Philadelphia: J.B. Lippincott, 1938.

  http://www.lkwdpl.org/wihohio/hurs-zor.htm
  http://www-hsc.usc.edu/~gallaher/hurston/hurston.html

  建议参看:
  20世纪美国黑人文学批评理论
  http://www.lwlm.com/show.aspx?id=4649&cid=47

  关于Slavery Gave Nothing TO lost中的反传统的积极、乐观的奴隶制度,因为我没有看过原文不便评论,但对于奴隶制的认识不能局限于我们传统的观念,请思考过为什么在民主、共和的近代美国还会出现奴隶制。

franklin p.jones是谁

Franklin P. Jones (1908 - 1980) was a Philadelphia reporter, public relations executive and humorist. He wrote quips and quotes that entertained readers of major publications for years.

Mr. Jones was known nationally during the 1940s and 50s for his column "Put it this Way" in the Saturday Evening Post. "Put it this Way" set a record as the longest continuously published feature in the Saturday Evening Post.

He was an accomplished "paragrapher" - a writer who condenses humorous or thought provoking ideas into paragraph form. His quips and quotes were published (often anonymously) in numerous publications, including Reader's Digest, the Wall Street Journal, Changing Times and Quote magazine.

Born in Saratoga, NY, he moved to Philadelphia, PA at an early age. He graduated from Haverford College in 1933 with a Bachelor of Science degree.

He began his writing career at the Philadelphia Record in 1934 as a police reporter and rose through the ranks working as a general assignment reporter, rewrite man and features writer. He was on the editorial board when the paper ceased publication in 1946. From 1941 through 1946, he was also a Philadelphia correspondent for the now defunct New York newspaper PM.

In 1947, he joined Gray and Rogers Advertising Agency, one of Philadelphia's largest advertising and public relations firms as director of publicity and became a partner in 1954. He created ad programs for major clients and headed the 40-man public relations staff until he sold his interest in the firm and retired in 1960 to work full-time as a humor writer.

Mr. Jones continued his freelance writing, producing more than 35,000 paragraphs, epigrams, anecdotes, gag lines and definitions in the years before his death.

He was a member of The Committee of 70, Philadelphia Public Relations Association and the Pen and Pencil Club.

Franklin P. Jones died December 29th, 1980 of cancer in his home in Wayne, PA. He was 72.

Some additional quotes:

"The only thing that will really prevent baldness is hair."

"The best way to keep a man is in doubt."

"The only problem with having nothing to do is you can't stop and rest."

请问Bruce Springsteen的Streets of Philadelphia的中文歌词是什么

I was bruised and battered and I couldnt tell我是瘀伤和被殴打并告诉我couldnt
What I felt我感觉
I was unrecognizable to myself我心里不出来
I saw my reflection in a window I didnt know我看到我的一个窗口,我在思考健美知道
My own face我的面子
Oh brother are you gonna leave me第二天我离开你哦哥哥
Wastin�0�7awaywastin'走
On the streets of philadelphia在费城街头

I walked the avenue till my legs felt like stone走过的路,我感到我的腿像石头起至
I heard the voices of friends vanished and gone我听到朋友的声音消失而消失
At night I could hear the blood in my veins晚上就听见我的血脉
Black and whispering as the rain由于黑花落雨
On the streets of philadelphia在费城街头

Aint no angel gonna greet me第二天迎接我不是天使无
Its just you and I my friend它只是你我的朋友
My clothes dont fit me no more我没有合适的衣服,我不该
I walked a thousand miles我走了千里
Just to slip the skin刚刚流行的皮肤

The night has fallen, Im lyinawake夜已经降临,肠lyinawake
I can feel myself fading away我感到浑身渐渐消失
So receive me brother with your faithless kiss所以我接受你的信吻弟弟
Or will we leave each other alone like this还是我们彼此就有这样离开
On the streets of philadelphia在费城街头

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